<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Rolling Stone on SummaryShelf</title><link>https://summaryshelf.app/authors/rolling-stone/</link><description>Recent content in Rolling Stone on SummaryShelf</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Wed, 22 May 2024 00:00:00 +0000</lastBuildDate><atom:link href="https://summaryshelf.app/authors/rolling-stone/index.xml" rel="self" type="application/rss+xml"/><item><title>The 500 Greatest Albums of All Time</title><link>https://summaryshelf.app/500-greatest-albums-of-all-time/</link><pubDate>Fri, 24 Mar 2023 00:00:00 +0000</pubDate><guid>https://summaryshelf.app/500-greatest-albums-of-all-time/</guid><description>&lt;p&gt;Greatness in music is not a fixed quantity you can measure once and shelve. Rolling Stone&amp;rsquo;s ranking of 500 albums, stretching from Elvis Presley&amp;rsquo;s 1956 debut to Billie Eilish&amp;rsquo;s &lt;em&gt;WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?&lt;/em&gt; in 2019, takes that idea as its founding premise. The question behind every entry isn&amp;rsquo;t how many copies an album moved or how flawless it sounds. It&amp;rsquo;s whether the record changed something — a sound, a genre, a sense of what was possible. Judged that way, a barely-selling blues session and a chart-topping pop machine can end up neighbors.&lt;/p&gt;</description></item></channel></rss>