<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Maya Angelou on SummaryShelf</title><link>https://summaryshelf.app/authors/maya-angelou/</link><description>Recent content in Maya Angelou on SummaryShelf</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Tue, 11 Aug 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://summaryshelf.app/authors/maya-angelou/index.xml" rel="self" type="application/rss+xml"/><item><title>I Know Why the Caged Bird Sings</title><link>https://summaryshelf.app/i-know-why-the-caged-bird-sings/</link><pubDate>Tue, 11 Aug 2026 00:00:00 +0000</pubDate><guid>https://summaryshelf.app/i-know-why-the-caged-bird-sings/</guid><description>&lt;p&gt;Paul Laurence Dunbar&amp;rsquo;s &amp;ldquo;Sympathy&amp;rdquo; ends by insisting on something easy to miss: the bird in the cage is not singing because it is happy. The song is a plea flung upward from a bruised body beating against the bars. Maya Angelou took her title from that final line, and the borrowing is the argument. Her account of a Black girlhood in the segregated South is not a story about a voice being found. It is a story about what the singing is for.&lt;/p&gt;</description></item></channel></rss>