<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Austin Kleon on SummaryShelf</title><link>https://summaryshelf.app/authors/austin-kleon/</link><description>Recent content in Austin Kleon on SummaryShelf</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Wed, 22 May 2024 00:00:00 +0000</lastBuildDate><atom:link href="https://summaryshelf.app/authors/austin-kleon/index.xml" rel="self" type="application/rss+xml"/><item><title>Steal Like an Artist: 10 Things Nobody Told You About Being Creative</title><link>https://summaryshelf.app/steal-like-an-artist/</link><pubDate>Tue, 28 Mar 2023 00:00:00 +0000</pubDate><guid>https://summaryshelf.app/steal-like-an-artist/</guid><description>&lt;p&gt;Nothing gets made from nothing. Every artist you admire built on the people who came before them — Picasso and Dalí were arguably the greatest thieves in history, and the Beatles started life as a cover band. Creativity isn&amp;rsquo;t about conjuring originality out of thin air; it&amp;rsquo;s about recombination. So the practical advice is almost embarrassingly direct: pick the people whose work moves you, copy them closely, and pay attention to the exact places where your copy fails. That gap — the part of them you can&amp;rsquo;t reproduce — is where your own voice lives.&lt;/p&gt;</description></item></channel></rss>